Rocket scientists can’t count

Trust a government bureaucracy like NASA to make rocket scientists look like idiots:

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The link goes to this history page, where the alternative text for the main image is: “Sputnik: Fortieth Anniversary”.

Now those of you who studied advanced applied mathematics may already suspect that something is wrong here. Indeed, a little bit of calculation makes it clear that in fact, it is Sputnik’s 50th anniversary today. Here’s the proof. Close your eyes if you’re scared of complicated maths: Δt = t2 — t1. Since t1 = 1957 and t2 = 2007, it follows that Δt = 50. QED. No wonder NASA’s super-expensive tax-funded space ships keep breaking.

Never mind the Soviets. Google is watching.

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Neoconservatism, alive and kicking

Neoconservatism, since its revival in the popular consciousness after 9/11, is often misunderstood. It defies old-fashioned classification as either idealist or realist, being in many ways both. Most often, it is used as a general, usually derogatory, term to describe the policies of the Bush administration. This association, while in some ways accurate, often is not. Using it as such a simplistic political label is misleading. It disregards the ideology’s classical liberal origin and basis, its history as offshoot from the Democratic party in the United States, and the guiding political and philosophic principles it retains today. Even the term “ideology” itself could use some clarification, being often misunderstood in a similar way: as a rigid, blind dogma, rather than as a set of underlying ideas or philosophical principles on which logical political argument can be based.

In a long but eminently readable article for Commentary magazine, republished in the Wall Street Journal, Joshua Muravchik, who has been closely associated with the neoconservative movement and its central figures, does a remarkably clear and comprehensive job of describing what neoconservatism really is and where it’s at. First he explains its origins and principles. Then he sets the record straight on a number of misconceptions and fallacies. Finally, he analyses its current vitality in the light of both global and American domestic politics. Many commentators — including some neoconservatives themselves — have declared neoconservatism dead, or at least irreparably damaged by the failures and complications of the war in Iraq. Muravchik begs to differ. He concludes that as political ideology, is still the only game in town.

It’s essential reading, in my view. Especially if you want to understand, for example, why neoconservatives think the way they do, or why I’m not afraid to describe myself as one, despite the popular opprobrium with which the label is used, and despite my deep affinity with libertarian economics.

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“Unauthorised” Mbeki doccie screened

Thabo Mbeki, as pictured by Slate.comThe “unauthorised” documentary about South African president Thabo Mbeki, on which I noted Jean Barker’s column, has finally been screened on the SABC, after more than a year of to-ing and fro-ing.

It is interesting, and does a very good job at recalling much detail that may have been forgotten, or may not have been generally known to those who don’t count biographies among their mandatory daily reading.

It remembers, in former Sunday Times and current City Press editor Mathatha Tsedu’s words, the “Gucci revolutionary”. It sketches the same younger Mbeki whom I remember when I did sound for him at Wits University in (or about) 1991: charming, urbane, moderate, cool. (I doubt he’ll remember me. Since then he saved my neck, and though on that occasion he was equally disarming and impressive, I doubt he’ll remember that either. If I can extract the photo to prove it from my dead camera, I’ll post it.)

Made by Ben Cashdan, Redi Direko and Meril Rasmussen, the film starts on an interesting note: Nelson Mandela warns him, at his election as ANC (and therefore ultimately South Africa’s) president that the temptation to “settle scores” and “marginalise” detractors will attend him who wins the power of office unopposed, as Mbeki did. The camera goes to Mbeki, who doesn’t laugh, but looks askance. Is he rolling his eyes? Why does this paternal lesson need to be delivered in public, from a stage?

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